PUBLICATIONS: Books, Exhibition Catalogs, and Periodical Articles

Witness to Phenomenon: Group ZERO and the Development of New Media in Postwar European Art.
London: Bloomsbury Academic Press, Ltd., forthcoming 2017.






Otto Piene: The Dematerializing and Rematerializing of Energy as Artistic Process, in Otto Piene: Sundew and Selected Works, 1957-2014.
Additional essays by Joachim Jäger and Michelle Kuo. Exhibition Catalogue, January 28 – February 27, 2016. New York: Sperone Westwater Gallery, 2016.







Julia Csekö: Myths are Made for the Imagination. Exhibition catalogue. August 6-27, 2016. Boston: Piano Craft Gallery, 2016.



Bálint Bolygó. Exhibition catalogue. Boston: Boston Cyberarts and Emerson College, 2013.


Andy Warhol. Focus Series. London: Phaidon Press Limited, 2013.



Image Machine: Andy Warhol and Photography.

Exhibition catalogue. Nürnberg: Verlag für moderne Kunst, 2012.



“Struggles, many and great,” Antiques, v. CLXXVIII, no. 6 (November 2011), pp. 108-115.

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“Electromedia,” in Aldo Tambellini: Black Zero. Exhibition catalogue.

Chelsea Museum. New York: The Boris Lurie Foundation, 2011), pp. 35-47.



Robert S. Duncanson: “The Spiritual Striving of the Freedmen’s Sons.”

Exhibition catalogue. New York: Thomas Cole Historic House, 2011.



“Mackazine,” in Heinz Mack’s Mackazine II, with additional text by Dieter Honisch.

Exhibition catalogue. New York: Sperone Westwater Gallery, 2011.



Andy Warhol: The Last Decade. With essays by Bruno Bischofberger, Keith Haring, Keith Hartley, Julian Schnabel and Gregory Volk. Exhibition catalogue. Munich, London, New York: Prestel Verlag, 2009.



Elusive Signs: Bruce Nauman Works with: Light. Additional essays by Janet Kraynak and Gregory Volk. Exhibition catalogue. Milwaukee, WI: Milwaukee Art Museum, 2006.

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Roxy Paine: Second Nature. Exhibition catalogue. Houston: Museum of Contemporary Art and The Rose Art Museum, Brandeis University, 2002.

Additional essays by Gregory Volk and Lynn Herbert.

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A Defining Generation: Then and Now, 1961-2001. Additional essay by Sam Hunter.

Exhibition catalogue. Waltham, MA: The Rose Art Museum, Brandeis University, 2001.

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Helmut and Inge Krumbach and Joseph D. Ketner. Der Siegburger Indianermaler Carl Wimar (1828-1862). Siegburg, Germany: Rheinlandia Verlag, 2000.

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A Gallery of Modern Art at Washington University in St. Louis.  St. Louis: Washington University Gallery of Art, 1994.

Won Second Prize for a Museum Book, AAM, 1995.

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Carl F. Wimar: Chronicler of the Missouri River Frontier.

Rick Stewart, Joseph D. Ketner, and Angela Miller. (Out of Print)

Fort Worth, Texas: Amon Carter Museum in association with Harry N.Abrams, Inc., 1991.



The Emergence of the African-American Artist: Robert S. Duncanson, 1821-1872. Columbia, Missouri: The University of Missouri Press, 1993

Choice magazine (American Library Association) “Outstanding Academic Book for 1994



Joseph D. Ketner and Michael J. Tammenga. The Beautiful, The Sublime, and The Picturesque: British Influences on American Landscape Painting. St. Louis: Washington University Gallery of Art, 1984.